La mesita del comedor

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La mesita del comedor

Shot fixes you never notice: labels and blood

Small shot fixes and compositing effects: the entry-phone with its flat labels remade, and the blood on the hand retouched shot by shot.

The labels on the entry phone were in another language and did not fit the story. I remade them in the shot, following the reflections and the blur of the metal.

OriginalRetocado

Retouching the blood running over the hand so it flows as it should in every frame.

OriginalRetocado

The opening titles: the pages of an assembly manual come alive and blood stains them.

The end credits: red ink spilling over paper and revealing each name.

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